Simone Pryce, Red Handed (PEOPLE 2026)

Red Handed examines temptation, secrecy and self-surveillance through an intimate series of red-lit portraits. Hands, reflections and concealed gestures suggest a figure caught in a private act, while the bathroom becomes both a hiding place and a confessional. The series asks whether being “caught” requires another witness, or whether guilt begins the moment we recognise ourselves in the mirror.

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